Ancient History Assessment Essay: Amarna Revolution - Religious Changes
Friday, December 19
Ancient History Year 12
Assessment
The vast amount of significant religious changes
during the Amarna ‘Revolution’ greatly impacted Egyptian society, and their
radicalism suggests Akhenaten, the pharaoh of the time, used these religious
reforms as a front to gain power and redefine the role of the king. The pharaoh
introduced religious reforms that stemmed from the worship of the Aten, and
branched out to the demolishment of the Amun cult and other traditional afterlife
beliefs, impacting Egyptian culture in a mannerism that contributed to his
self-deification. The development of monotheistic ideology is also speculated
upon by historians and the lack of evidence supporting this theory indicates
the pharaoh’s reasons behind the ‘revolution’ were due to personal political
gain. The obvious elevation of the pharaoh’s status during the period and the
evidential impacts of the religious reforms propose that Akhenaten’s intentions
were to increase his power as king of Egypt throughout the time of his rule.
Though it appears the pharaoh during the Amarna
‘Revolution’ had religious ambitions prior to and ensuing his ascension, his
installation of the Aten was not an innovative development to Egyptian
religion, proposing an ulterior motive for the change. The Aten meant the
physical disc of the sun, and was initially represented as a falcon-headed god
with the sun-disc upon its head, known as Re-Horakhte. In the second or third
year of his reign, Akhenaten changed this symbol with an icon; the Aten was
thereafter represented as a giant disc with a ureaus and extending rays with
hands, often depicted offering an Ankh to the pharaoh on temple pylons at Karnak.
The new iconography impacted traditional art forms in Egypt, and the
representations of the Aten continued as a disc and eventually as a globe. In
many temple scenes, the king is drawn larger than the Aten, showing his
dominance and power. However, despite the pharaoh’s claims that this ‘new’ god
was unique and different, evidence validates that the Aten originated from his
predecessors, and sun worship had already been amalgamated with other existing
gods such as Amun-Re. The inscriptions of hymns carved into rock-cut tombs from
the reign of Thutmose III mention the sun-disc in one of his titles: “The Aten when he reveals himself.” Religious
reformations were constantly developing in Egypt, and according to the modern
historian Gardiner: “revolution was already ‘in the air’”
during the reign of Amenhotep III. The iconic change, depictions of the pharaoh
and the already existing presence of the Aten in Egyptian culture promote the
idea of these religious reforms to have an ulterior motive that advocates
Akhenaten as powerful and reaffirming of the king’s divinity.
The implementation of Akhenaten’s belief that the
sun-disc was the only god in existence during year’s five to nine of his reign was
a radical reformation of the basis of Egyptian belief, but also proved greatly
beneficial to elevating the pharaoh’s status. During this time within the
Amarna ‘Revolution’, he built a cult center exclusively for Aten, and begun
about the removal of all other cults dedicated to other gods. He primarily
attacked the god Amun, as it was the center of Egyptian worship; the pharaoh
ordered the closure of temples to all gods and erased their names from the
walls of all temples and tombs. The removal of the Amun cult greatly lowered
the prestige and roles of priesthood, and as Akhenaten became more regarded as
a god, the priests were degraded to performing lesser duties, such as carrying
the king’s sandals. An enclosed cartouche with Aten’s name furthermore proposes
that the Aten was the king’s divine co-regent, and shrines dedicated to Aten
and the royal family found without private homes at Amarna highlight the
increasing divinity of the pharaoh. Akhenaten also moved Egypt’s capital to a
new capital city named Akhetaten, located halfway between Memphis and Thebes,
in dedication to Aten. It became the religious and administrative centre of
Egypt during year eight of the pharaoh’s reign, and diverted the estates and
income of the Amun priests to building the new city. Fourteen boundary stelae
were carved into rocks surrounding the city, with inscriptions revealing
Akhenaten’s status as the son of the Aten: “Now it was the sun-disc, my father
that the [proposal] concerning Akhentaten;” This text also presents the close
relationship between Akhenaten and the Aten. The power reduction on priesthood
and the upsurge of the pharaoh’s divine eminence accentuate that a likely
reason for revolutionizing Egyptian religion was for Akhenaten’s personal economical
gain and advancement of his divine status.
The religious changes during the Amarna period have
been said to create a monotheistic religion, however the lack of evidence
towards this theory provides more reasoning towards the pharaoh’s personal
advantage. The little evidence that does advocate the change from polytheism
includes funeral inscriptions from tombs no longer mentioning Osiris or Anubis,
indicating the changes to afterlife beliefs and funerary customs Akhenaten
made. This change impacted ritual practice as traditional Osirian beliefs and
practice were abandoned, as were all notions of the idea of an ‘afterlife’. The
inscription instead cited the Aten, showing the extent of the induction of Akhenaten’s
religious beliefs. However, it is clear that the worship of other gods was not
stopped in their entirety. Small amulets dedicated to the gods Hathor and Bes
owned by workers in Amarna prove that citizens worshipped them. This suggests that
Akhenaten’s focus wasn’t primarily of radically reforming the religious beliefs
of the Egyptians, but rather on raising his own authority and redefining the
status of kingship. Emphasis on his deific position is also seen in the ‘Hymn
to the Aten’: “Save your son Nefer-kheperu-Re Wa-en-Re, (Akhenaten),” through
stating that Akhenaten is the direct son of a god. The significance placed upon
Aten and his relationship to Akhenaten can be seen to portray the pharaoh as
eager for power, whilst Akhenaten’s intensity of inflicting belief in the Aten
was not as intense at it appeared, gives evidence to show that self-deification
was at the forefront of his motives.
The Amarna ‘Revolution’ was a period of great
religious change that impacted Egyptian society, affecting iconography,
priesthood, funerary customs, people and the economy. The pharaoh Akhenaten
responsible for these reforms in Egyptian religion is implied to have a
personal motive for his radical changes. Through examination of sources in
regards to worship of the Aten, the removal of traditional gods and the Amun
cult, as well as the possible installation of monotheism in Egyptian culture,
the evidence suggests that many of the changes made by Akhenaten were not due
to his ambitious religious beliefs, but for a new and more divine
representation of kingship to exist, and thus allow him more power and
authority as king. The changes to priesthood and the dedication of a new city
to the Aten can be seen as a display of his increase of political power and economic
benefit. By discerning the religious changes and their impact during the Amarna
‘Revolution’, the idea that the pharaoh Akhenaten brought about the revolution
for his own personal gain can be observed.
By Caitlin Preval
FYI it's not the best essay so would not recommend plagiarism.
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3:57 PM
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Some Analysis on The Tattooist, By Anne Vick
Belonging Related Material
The Tattooist,
a short-story by Anne Vick
·
“He wore his history on his arms.” Metaphor
shows lack of comfort around the inner city girls. This creates irony, the big
tough guy feel intimidated by school girls. ·
“He’d watched…” this anaphora in the second
paragraph shows his strange obsession with them, and how he’d gathered the
evidence to stereotype them at city
school girls, automatically forming a barrier between himself and them. ·
“Liquid eyes set in flawless skin…” Hyperbole
“kissed by the summers of southern Europe” personification. He epitomises their
beauty and thus stereotype of perfect rich school girls. “Precision cut hair” sensory
imagery ·
“they” distinctive pronoun separates himself
from them, “ ‘We like your sketches,’ they said but he didn’t believe them.”
Underscores the tattooist perspective of the girls simply being infatuated with
their own looks. ·
“could hear the thirty pieces of silver clinking
in their pockets.” Biblical allusion to Judas’ betrayal of Jesus shows the
extent of his distrust and inability to try and make a connect with these
girls/ accept them ·
“a man of hard won dignity… until he saw their
design” ellipsis shows break in train of thought, his change of mind. Symbolic
victims of world war 11 who were branded with an identification tag. Symbolic
handshake shows mutal respect they now share. ·
“‘Lest we forget,’ he said and he let his hand
relax into hers.” Gesture of acceptance “the sequence of blue numbers her was
creating a blur.” Historical allusion to the holocaust survivors and brands of
the concentration camps shows how connection made through similar experiences
of understanding/knowledge led him to feel a sense of acceptance towards the
girls. Change of perception on their identity gives them more substance in his
mind, he considers them morally right.
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3:50 PM
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Some partial analysis on Harvie Krumpet
Belonging Related Material
Harvie
Krumpet, a clay-mation film by Adam Elliot
·
String music / instrumental soundtrack, Voice narration tone is monotonous and blunt,
bordering between tragic and humorous.
·
Harvies qualities: odd twitches, touching things
with his index finger (juxtaposition of the apple: knowledge, wisdom with
Harvie’s strange behaviour) Tourette syndrome – can’t control impulses ·
Nickname: “thick” at school. Overlay of children
laughing/ chatting together contrasted with image of Harvie and his one and
only friend, alone. Narration alliteration: “Tricked, teased and tortured.” ·
‘Fakts’ spelt the way his mother taught him,
shows him holding on to his connection to family and self-identity. The book of
‘fakts’ is symbolic of the value of education shared in both families. The
facts motif: the facts each represents his values and experiences. “Fakts still
exist even if they are ignored.” – shows defiance to his obvious lack of social
belonging. Rejects the idea he needs to belong. ·
Environmental isolation – Still shot of the
house, alone from others. Becomes a migrant to escape the German invasion of
Poland, finds himself on a ship bound for Australia. ·
“Harvie’s world was turned upside down” – motif,
repeated to show the constant state of change he had to adapt to. ·
Change of name from “Harvek Krumpetzki” to
“Harvie Krumpet” shows how he tried to change his identity to assimilate. Failure
to make friends – trip to hospital (works in a dump) Scar serves as a permanent
reminder of his differences.Scene getting stuck by lightning – cosmic irony
shows his badluck. ·
Newspaper reference “retarded migrant” euphemism
shows how society marginalizes and labels him. ·
Carpe diem “Seize the day” is an epiphany for
Harvie and motivates him to totally reject the idea of conforming and be
himself. His nudity thereafter is a representation of his freedom. ·
Motif of red symbolises uniting/connection and
life and love. His family belongs to each other by not belonging. Everyone in
the film has a health issue – extended metaphor. They all felt they were
missing something and connected to each through that. Family is seen as the
cornerstone of belonging and their relationship is constantly shown. ·
“Some people has less bits, some people had more
bits.” Used to emphasize its not what society thinks that matters, but what
family/self thinks. The film challenges and rejects the idea that one needs to
belong to have a positive life. ·
Bus stop built is symbolic of loss of hope. Pranks
and nudity are his last attempts to assert himself in the nursing home. His
hallucinations show that his imagination treats God as a material thing. ·
A metaphor: “A fire in his belly began to
fizzle”. ·
Has another epiphany talking to the lady, who
later commits suicide, learning from her life story. His nudity finally
expresses his liberty from social expectations/rules (ripping of no nudity
sign) and takes a new perspective of belonging. ·
“He waited for the bus. He knew it would never
come, but he didn’t mind.” Final quote shows acceptance of self (reassertion of
sense of self) and strong belonging to self.
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3:46 PM
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Tuesday, November 4
Herp a derp. Soz. Another brief random and totally meaningless upload. One day I will look back on all the posts in the blog and cry.
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10:08 PM
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Wednesday, May 21
A/N
Much wow I have not be alive on here for yoinks. Shall get back on here after my HSC, which ofc, is like going to be at the end of the year, if I don't die before then. Meanwhile, I'm going to abuse my blog for the purpose of having a website-accessible photo. Many apologies, Qui. Mad Catter. xoxo
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5:21 PM
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Maybe Satisfaction
Sunday, April 7
Let's be honest a moment here. I mean, not that I am usually not honest, but just to clarify it, here, in this meaningless little blip of space and time within one out of a billion, trillion little loopholes in the internet. I am very, very stupid.
I suppose there was a stage at which I didn't know if I was smart or not, or didn't care - I still don't care. What matters is peace. Because peace = happiness = the ability to make others happy. And I guess somewhere in that equation, love fits in. Love is.. trippy. Let's review the facts right now:
- My friend is in love with me
- I don't reciprocate the feelings
- I'm in love with someone
- That someone is younger than me
- Which thus makes me a freak.
I just want to hate life and rage quit and die. But I can't. Suicide to me would mean going to hell, so... I need to try. And while I'm at it I need to make/help others try.. At this moment the only place I feel close to the idea of peace is when its night time, my window is open and all I can see when I look up is the stars. The longer I stare, the more appear, and all I can do is just get lost in the feeling of sensation. The scent of lavenders during the night, the sky, the tiny breeze, the taste of nothing at all and the sound of silence, crickets and distant traffic that I can pretend is coming from another world. I want out so badly..I want to live somewhere far away from all this poison and just be surrounded by that peace I've only ever gotten a hint of. Don't get me wrong. There are also those moments I've had with people that tempt me to stay. Like seeing my best friend cry. Reaching out to my dog is only 100% overly excited just to see me get home. Having my first kiss. But the people are part of the poison. So I can't stay. One day I will find a place so very far away..
It's a lot to give up. But it's also a lot to get back. It's unfortunate to think that I'll never find satisfaction all the same. But it might bring me closer to what will. Fingers crosssed,cat xxx
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9:19 PM
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